购物指南
这本《MEIJI CERAMICS(精)》主要内容是：Japan opened itself to the rest of the world in the mid-nine-teenth century under pressure from the USA.
The author examines the history of Japanese export porcelain in the Meiji era in the context of political, economic and cultural developments and with special emphasis on stylistic influence from the West. The more than 150 illustrations reproduce major items made in all the main centres of ceramics production, including Arita, Kutani, Kyoto, Satsuma, Seto and Tokyo, by a wide variety of artist-craftsmen, among them Ito To0zan, Kanzan Denshichi, Kinkozan Sobei, Miyagawa Kozan, Seifu Yohei, Taizan Yohei and Yabu Meizan. The domestic market and national exhibitions, leading craftsmen, manufacturers and trading companies, inscriptions and marks are the subject of appendices. A detailed chronology, a glossary and a bibliography complete this first-ever comprehensive account of Japanese export ceramics in the Meiji era.
Preface
Acknowledgements
PART ONE THE CONTEXT
CHAPTER ONE NEW DIRECTIONS IN JAPANESE FINE AND DECORATIVE ARTS
Introduction
Manufacture and Distribution
Shokusan kogyo and its
Implementation
National Industrial Exhibitions
Export Companies
Workshops: Reorganization in
Response to New Challenges
Arts and Crafts and the Public
The Ryuchi-kai
The Kanga Kai
The Teishitsu Gigei-in
Craftsmen's Affiliations
CHAPTER TWO JAPANESE ARTS AND CRAFTS AND THE WEST: INTERNATIONAL EXHIBITIONS, 1862-1900
The International Exhibition of 1862 in London
The Exposition Universelle of 1867 in Paris
The World Fair of 1873 in Vienna
The American Centennial Exhibition of 1876 in Philadelphia
The Exposition Universelle of 1878 in Paris
Changing Attitudes to Japanese Fine and Decorative Arts, from the Late 1870s to the Early 1890s
The West
Japan
The World's Columbian Exposition of 1893 in Chicago
The Exposition du Siecle of 1900 in Paris
PART TWO EXPORT CERAMICS
CHAPTER THREE CHRONOLOGY, GEOGRAPHY, MARKETING, TECHNOLOGY
Chronology
Geography and Marketing
Pre-Meiji Era
The Domestic Market
The Leading Centres
Arita and Environs
Seto
Kyoto
Kutani
Satsuma
Tokyo
Technology
CHAPTER FOUR STYLISTIC CHARACTERISTICS; SATSUMA
Painted Decoration
The Role of the Seihin Gazu-gakari
in the Early Meiji Era
Influences During the Middle and
Late Meiji Era
Shapes
Far Eastern Elements
Western Influence
Satsuma
The Early Period
Clay and Colours
Types of Decoration
Yabu Meizan
Kyo Satsuma
Taizan Yohei
Ito Tozan
Kinkozan Sobei VI and VII
CHAPTER FIVE STYLISTIC DEVELOPMENTS AND EXPONENTS
Kutani
Arita and Hirado
Arita Wares
Hirado
The Koransha
The Seiji Kaisha
The Fukagawa Seiji Kaisha
Seto and the Etsuke Workshops of
Nagoya and Yokohama
Seto Wares
Nagoya and Yokohama Etsuke
Kyoto
Kanzan Denshichi
Eiraku Zengoro
Kiyomizu Rokubei
Suwa Sozan
Seifu Yohei III
Tokyo and Yokohama
The Kingama and the Hy0chiengama
Gottfried Wagener and Asahi Wares
Kato Tomotaro
Takemoto Hayata
Miyagawa Kozan I
APPENDICES
APPENDIX A: THE DOMESTIC MARKET
Rural Workshops
Shigaraki and Bizen
Tea Ceramics
APPENDIX B: LEADING CRAFTSMEN, MANUFACTURERS AND TRADING COMPANIES
APPENDIX C: BIJUTSU AND BIJUTSUKOGEI AT NATIONAL INDUSTRIAL EXHIBITIONS
APPENDIX D: INSCRIPTIONS AND MARKS
APPENDIX E: FREQUENTLY CITED JAPANESE PROPER NAMES AND TERMS
CHRONOLOGY
GLOSSARY
BIBLIOGRAPHY
INDEX
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