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The art of the English landscape came into its own in the 18th century with Gainsborough, Alexander Cozens and Stubbs, later achieving its full flowering with Turner, Constable and Whistler before turning to the imaginary world of Paul Nash and Graham Sutherland.
Stimulated at first by the influence of Dutch and Flemish artists like Van Dyck and of the Italians such as Canaletto, the art of the English landscape came into its own in the 18th century with Gainsborough, Alexander Cozens and Stubbs, later achieving its full flowering with Turner, Constable and Whistler before turning to the imaginary world of Paul Nash and Graham Sutherland.From idealised visions to hunting scenes, from romantic watercolours to marine painting, from the Preraphaelites to the Postimpressionists, this comprehensive work turns the spotlight on more than a hundred and twenty masterpieces.
Introduction
Landscape and poetry during the Renaissance
Stimulation from Abroad
The topographical tradition and the search for beauty
Alexander Cozens and the triumph of the imagination
Hunting scenes and rural life
Wilson and Gainsborough disregarded in their day
Joseph Wright of Derby, commentator on the industrial revolution
The liberation of sensibility thanks to watercolour
Turner's amazing career
Long-range travellers
Crome and Constable, painters of the soil
The romantic vision
The Pre-raphaelites and victorian painting
Whistler and the impressionists
The beginning of the twentieth century
A glance backwards
Who were these painters?
Main places mentioned in the text
Index of names
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