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DEATH IN THE AFTERNOON is Ernest Hemingway's classic work on the art of bullfighting. It tells of the bullfighters and the bulls, the bravery and cowardice, the pageantry and the history -- enlivened by Hemingway's pungent comments on life and literature.
Still considered one of the best books ever written about bullfighting, Death in the Afternoon reflects Hemingway's belief that bullfighting was more than mere sport. Here he describes and explains the technical aspects of this dangerous ritual, and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes an art, a richly choreographed ballet, with performers who range from awkward amateurs to masters of great grace and cunning.
Chapters 1 to 20, inclusive 1-245
An explanatory glossary 247
Some reactions of a few individuals to the integral Spanish
Bullfight 325
A short estimate of the American, Sidney Franklin, as a
Matador 331
Dates on which bullfights will ordinarily be held in Spain
France, Mexico, and central and South America 335
Bibliographical Note 343
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